The Immersion Excursion

Have you ever picked up a book and read it from front to back in one sitting? Those are the books you discover by surprise.

Maybe you've experienced a story written by an author you'd never heard of, or one who created a one hit wonder and never wrote another word. How sad. I've read a few myself and now I ponder what glued me to my seat long enough to read an entire story without a break, not even for a bite to eat.


Dialogue

One common element shared by the quick reads I've discovered are the dialogue sequences. They're not thrown together simply to provide white space, making the pages less daunting. I recall meaningful dialogue, the kind which delivers progress in character development and plot.

And remember, the importance of dialogue is as much about what is said as it is about what is not said.


Setting

The setting is another element which completely immerses me into a story. It must be vividly clear to me where I am while experiencing the story. Recall Middle-earth in Lord of the Rings, Hogwarts in the Harry Potter series, and the land of Oz in The Wizard of Oz. All unique worlds, very distinct and memorable.

Don't be afraid to share your world. It makes the difference in the reader feeling welcome. When a visitor comes to your house, do you give them a tour or do you confine them to one room?


The 8 senses

When I was in high school, there were only 5 senses we were taught in health education and those were: sight, sound, touch, smell, and taste. Today, we include the senses of time, space, and the unknown. I give examples of each in a post I shared back in 2011.

When you use this technique, I am so focused and entertained, I have no interest in being tantalized in the real world with seeing, tasting, smelling, or anything else. It's like magic to me because the words show me what I already know, therefore, I'm relating on a whole different level, entranced!

Detail in Descriptions

When I read something familiarly exquisite, I stick around. That means I feel comforted when I encounter the details of an item in a story such as a Sesame Seed Biscotti or French Vanilla flavored coffee. Don't be lazy. Share the details. 

The added details give me a sense that I belong where I am; therefore, I have no interest in moving away from the story. I'll keep going because the comfort level is more enticing than putting down the book to go and find something general and bland which I hadn't thought of just yet. 

I further share Dialogue, Detail, and Description in an earlier post.

Voice

This is an element I don't read about often, but I know what it is and what it does for me. Voice is something that is important when you read a lot of books. It will save time for the reader when they finally discover the one voice which speaks to them like Vincent Price reading "The Raven" by Edgar Allan Poe. The way he dramatizes the reciting of the poem could be likened to an author's use of words and choice of cadence in the structure of their sentences.

It's difficult to immerse myself to this length these days because I work full time. But, I remember the days of middle school summer when I blazed through tons of Harlequin romances and wondered where the time had gone. I miss those days. I could immerse myself into another world, and these were the very elements which invited me to stay.

So, what keeps you on the page and turning until the very end?

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An Audio Book Disaster

I'm not usually harsh on authors who have topped the Best Seller lists in the past, but I just finished Still Life With Crows by Douglas Preston and Lincoln Child. I'm sorry, let me rephrase that. I just finished CD number 4 of 13 in this audio book narrated by Scott Brick and I plan to return them to the library, unfinished.

I can't even push myself to listen to the rest. My O.C.D. is even saying, "Oh, no girl, I'm not going to make you finish it either."

Was it bad? No, not particularly. The writing is fine and the characters are okay. I didn't have any problems staying in the story, but this was only my 2nd audio book ever and I feel like I'm not giving the narrator a chance. Well, I know I'm not giving him a chance because I'm returning it without having finished the story, right?

Things that annoyed me with the narration and the story:

1. Just because a story takes place in the South or Midwest, doesn't mean you have to narrate in a slow southern drawl, good GAWD!

2. The dialogue coming from FBI Special Agent Pendergast: a southern drawl for a stoic character sounds ridiculous.

3. There were too many non-consequential characters.

4. The cover made it look like a horror story and this blurb makes it sound the same. Correct me if I'm wrong.

A small Kansas town has turned into a killing ground.
Is it a serial killer, a man with the need to destroy?
Or is it a darker force, a curse upon the land?
Amid golden cornfields, FBI Special Agent Pendergast discovers evil in the blood of America's heartland.
No one is safe.

5. I got to chapter 17 and nothing scary happened. Only the discovery of a dead human body and a dead dog. As a matter of fact, I was bored on top of being annoyed with the narration, and I still don't know what genre this is.

Did I mention I got bored?

Anyway, I feel badly for this feedback, but I'm glad I didn't spend the money to purchase the audio book. I would be highly pissed at myself. With my time freed up from that painful mess, I get to begin listening to Fool by Christopher Moore. It sounds promising as the narrator has an English accent. This is the quote that made me check it out:

This is a bawdy tale. Herein you will find gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity, as well as non-traditional grammar, split infinitives, and the odd wank.

Sounds like my kind of audio book. We shall see!

Have you ever listened to a book and just couldn't give the narrator a chance to finish? Tell me the title so I don't make another mistake!

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V is for Voice - You Might Be a Redneck

Of the many writing courses I've taken and articles I've read, one thing they all stress as the quintessential element to master, is the finding of your voice.

To me, this was always confusing because I've been attempting to learn the craft of writing fiction. Shouldn't my individual characters have their own voices? But how do you find your natural voice no matter what it is you are writing? What is voice anyway? It's your written prose minus all those words you think will make you sound important and smart. Forget all that, just be yourself. That's what your readers want to hear.

Voice can be described as how you sound when you write the same story as another writer, but with the words you've grown to know and use in your everyday vocabulary. If you're a singer, it's how differently you sing the National Anthem from the next artist. Think Roseanne Bar vs. Christina Aguilera vs. Steve Tyler. They sing the same words, yet the song takes on a whole new sound.

In the same sense, the writer's voice will introduce a new pitch or tone with word choices, dialect, and timing. Two writers can write the same story, but the read will be different if they have voices which are distinguishable from one another. There are some word choices which make most voices sound the same.

The truly unique voices are devoid of commonalities which make the tone boring or condescending. The writer wanting to sound important or intelligent rather than tell a story or make a point, produces a narrative which is preachy or contrived. That's what happens to us when writing rules are enforced. Maybe that's why they say to not think about the rules of writing when drafting. Write what you want to write. Get it down. That's where your voice will happen.

I witnessed this over the weekend. It wasn’t in a novel or an article on writing. I ran into a classified ad. I immediately discovered, in the simplest terms, the nature of voice. This is who you are, where you came from, and what the world will know as you, without a face. Whether it's you the author, or you the narrator, we hear you. And here's a test on voice. Read the first ad.

I hear Jeff Foxworthy preparing for his yard sale next weekend, “If you put a price tag on them chester drawers. Uh, let me say that properly,” and with a more proper choice of words, he says, “the chest of drawers,” and then back to his original voice, “...you might be a redneck.”

If you enjoyed this, please read my other articles in this past April's A-Z Challenge.

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