I had read many books in my life before I discovered I
wanted to write fiction. Here are some of the ones which are memorable for me. Check
them out if you like. It is my belief the books we read contribute to the
development of our psyches. I also invite you to research your timeline of
memorable stories and tell me if they have contributed to the development of
your spirit.
Sneeches on Beaches, age 4
Curious George, age 6
Corduroy, age 7
Where the Wild Things Are, age 10
David Copperfield, age 15
1984, age 16
Various Harlequin Romances and occasional erotica, ages
15-24
Misery, age 25
Dolores Claiborne, age 28
The Alienist, age 30
False Memory, age 38
From the Corner of His Eye, age 42
What was profound at a particular age isn't necessarily
profound later on in life, but if it sticks with you, there’s a reason. Something in that story spoke to you. So go the stepping stones in our
understanding of literature and fiction. Why have these stories been ingrained
in my memory for so many years? What did I yearn for and what kept me reading
to the point I got it and kept it? While delving deeper into my thoughts, I
pondered closure. And then I realized I still had not come up with a topic for
the letter O.
Objectives
When I start my journey with a set of prose, I expect to
know what the objective is, whether it's character development, a vessel for back-story,
an introduction of a new character, or a plot twist. A reader anticipates these
things in order to decide how to spend time reading that chapter. To coddle or
to skim? Sike. I never skim.
If I like the protagonist, I want to read about her
development. So, if I know the objective of the chapter is to introduce a
situation which will tax my protagonist, I'll be more likely to stay engaged
and immerse myself into the chapter.
Don't wait until mid-chapter to reveal the objective. It’s
like treading water and the hum drum pace will give me a chance to dog ear the
book and come back later. If I know the objective right away, I'm not likely to
dog ear until the end of the chapter because I'm focused on the objective. If
your reader dog ears in the middle of the chapter, the last impression they
have of your chapter is what? There was no objective, what's the point in
returning? That would be terrible!
Every chapter should have an objective and it should be
apparent from the beginning what that objective is. You can vary the types of
objectives from chapter to chapter, whether introducing a new character or plot
twist, etc, so that you have a mixture which appeals to the diversity in your
readership. Not every reader wants to follow your world descriptions, and not
every reader cares about your protagonist's development. Some may just care
about learning how the plot unwinds or picking up clues as to who did it. I
agree, lazy readers!
Obstacles
Where you have an objective in your chapter, you must also
have an obstacle. Otherwise, you may as well be writing an entry for a recipe
book. Do recipes tell you how to deal with a grease fire? Or what to do when
your soufflé collapses? These are obstacles which may occur in your quest to building
a meal. Excluding these possibilities will not harm your recipe. However, excluding
obstacles in your chapters will harm your fictional stories.
Contrary to my line of work as a software developer, where
expected results are the far better outcome, fiction definitely is more
rewarding when the results are skewed.
Outcomes
This was originally titled Oh Nos. What are Oh Nos?
Something I made up to have a third O word to share. Seriously. Imagine your
favorite protagonist met an obstacle you felt they might not be prepared to
deal with. You go, "Oh no!" Then after I wrote this third O element,
I realized I was discussing Outcomes and so now my short lived “Oh Nos” is obsolete.
What is an outcome? They will survive the ordeal, or they
will perish. Not every obstacle results in an outcome this extreme, but in some
form or another, they either have a positive outcome or a negative one. By the
time I reach the end of a chapter, I need to know the outcome of the objective.
It's very important to me in moving to the next chapter, because if you don't
have closure in one chapter, at least closure for the chapter's objective, then
how is the reader supposed to trust you with future chapters?
If the objective is for Nancy to retrieve a magic scroll and
the obstacle is she becomes lost in the forest, you absolutely cannot end the
chapter at this point. She must fight her way out of the forest. She must
retrieve the scroll, yes, but the outcome of her meeting that objective must
further the story or end it. She retrieved the scroll. What's the outcome? Did
the magic scroll unleash an evil spirit she must fight in the next chapter? Did
she uncover a healing potion she will need in another chapter along the way? That
outcome is what ends the chapter and invites a new chapter.
So, what makes you stick with a story, chapter by chapter?
Have you noticed a pattern in the stories which rivet you to your seat and
stick in your mind throughout a lifetime?
Visit my Alphabet Links:
A - B - C - D - E - F - G - H - I - J - K - L - M - N - O - P - Q - R - S - T - U - V - W - X - Y - Z
Great post! I think I'm most riveted to stories where the resolution of one obstacle leads to two more, and the protoganist is always surprised by new challenges that stand in the way of the objective.
ReplyDeleteTwo steps forward and one step back. I like creating new gotchas, all while my protagonist is getting stronger to deal with them as they come along.
DeleteLoved this post! I've read a handful of the books you did.
ReplyDeleteGlad you enjoyed. There were so many other books I wanted to share (too many).
DeleteI have obstacles and outcomes but the objective is something I like the reader to kind of mull over and piece together like a poem. Just me I guess. I'm weird. Stop by the luau for some cocktails (recipe) and bring your friends.
ReplyDeleteWoot! I'm up for a luau! :D
DeleteCan I have a decorative, miniature umbrella in my cocktail? I got my copy of Penniless Hearts and am waiting to read it. Can't wait!
Great post, Diane. I really like your book list at the top too.
ReplyDeleteThanks Kelly. The book list can reveal a lot about your life when you start reading the reviews of each. Kind of made me reflect quite a bit.
DeleteAweswome post, Diane. Obstacles are SO super important and I wish more writers understood that. I always scream at my TV when something gets in the way of the character and what he wants, but I know it's needed. If the character just tra-la-la gets what he wants immediately and without consequence there's no story! Nice :)
ReplyDeleteThe way I like to explain obstacles, but couldn't in the post...it's like a guy pursuing a slut. The objective is for him to have sex. If she's a slut and gives it up right away, his objective is met, boring story over. :D
DeleteNow, the typical romance that keeps me going? One, she's a virgin. Obstacle! Two, she's a spitfire and puts up a front that she's offended by him, while deep inside she's on fire. Obstacle!
Love the list. So similar to mine at the beginning and yet so different at the end. I love seeing that for some odd reason!
ReplyDeleteI was actually puzzled at the last few titles I chose to share, but once I looked up the reviews, I wasn't surprised they stuck with me.
DeleteI remember reading of all things, The Secret Garden, for the first time as an adult, for a children's lit class. For some reason at the time it really spoke to me; I think I could have related to the sense of aloneness to this girl early on in the novel.
ReplyDeleteIntriguing. I'll have to check out The Secret Garden. Thanks!
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