I've been working on a plot for my novel for the past 4 months and I'm now coming to a final summary and what I believe to be something very workable. Why has this taken me 4 months? Because, I’ve read 4 or 5 books now to try and help me in getting started with my first novel. I hope those authors enjoy the royalties from my purchase. Here’s more of a comprehensive idea of how I discovered what works for me.
How many times do we consider a story in our heads and think we'll just put it down on paper? I do it all the time with short stories. My biggest problem when I start putting my story on paper is that I realize that two dimensional characters are really difficult to work with when writing down a story where you are just explaining this happened, and then this, and then, well...this happened. Not really like that, but pretty close. It's rather painful. When self-help books for writers say to just sit down and start writing, this is what happens.
So then I stopped writing the story. Now I had to consider why someone would do this or that and why another character would react in the way I described in my story. Aren't I being a bit selfish as a storyteller at this point? I'm not giving any consideration to my characters at all, just making them do things that maybe they feel like they wouldn't EVER in a million years respond the way I described. How did I come to realize this though? Enter my 16 year old daughter.
I'm telling her about this story and the interaction between two of my characters and she goes, "The hell? If I were that chick, I wouldn't just sit there and not say anything about her boyfriend being out with another girl the night before, no way! I'd let him have it right then and there."
Okay, so now, two months into my story I have a dilemma, right? How do I fix this situation in my story so that the reader believes the situations? How do I make my scenes realistic to anyone reading my novel? Sure, my daughter wouldn’t react that way, but not everyone is my daughter. Her friend Jenna wouldn't react that way either, but Jenna would respond in a completely different way than my daughter as well as my fictional character. So now what? So now I have to make my characters believable. I have to give them more depth. Back to the drawing board.
Now I have Lenny and Emma. And being that they are fleshed out to be their own persons, I can have them communicate with each other in manners that are completely within their characters and the reader will not put themselves in the place of either character, but can move along the story beside them. Not a major hurdle, but I'm getting somewhere at least.
Now, onto plot. I have my story started, my believable characters, both whom I love dearly at this point. Dammit, writer's block! These are two complete different people here. How is it that they are friends to begin with? What happened to my story? It doesn’t work anymore.
Month 3 - depression, work slows to a standstill, fiction writing class is ending. Time for Christmas shopping, planning events and so on. It's a good thing I didn't have any time for writing. This whole time I'm thinking about the fact that I have no story to create for these two completely different people that are swimming around in my head. Back to the drawing board. :(
Month 4 - brilliance! Both characters will have parallel journeys! One, a journey toward a blossoming relationship with her mother, the other toward the discovery of turmoil in a relationship with her fiancé. The journeys will give me that chance to give them the depth and characterization that I need for my plot to work!
I guess 4 months of trying to figure this out has led me to a more confident and positive approach to story compilation. Call me a newbie, but I'd rather learn as I go than to create something that in the end leaves my reader going, "Huh? So what's the point?" or maybe even putting down the book before finishing the first chapter.
How do you discover your final plot? Do you discover it or do you start out knowing exactly what's going to happen?